Thursday, February 20, 2014

#DigOutLehigh - first report

We started with one goal: to help at least one car owner extract their vehicle from mounds of snow and ice. Yesterday, a small group of people (Four; and one of us with the right equipment) decided to form a small team to grab a shovel and just start digging. Three of us work at Lehigh, and we all live in NOT South Bethlehem. One of the team members has no relationship to Lehigh (doesn't work there, didn't graduate from there), but is one of the most respected volunteers in Bethlehem, he's my neighbor and a really good friend. Yep, he's the one with the right equipment, too.

Kathy Frederick, Stacey Kimmel, Todd Dietrich and myself. What do we have in common?
We are all older than 30 years old; one just slightly.
We all had some flexibility in our schedule.
We all love to burn calories (Shoveling snow burns 500 calories per hour!)
We all appreciate our garages, car parks and spacious driveways.
We all have seen the road conditions in South Bethlehem.
We all needed to do something about it.

I started recruiting with a hashtag on Monday, after posting a picture of me helping one student dig her car out of a Lehigh parking lot. Through a few comments in social media, it became clear that many residents understand the conflict: students don't have the equipment needed to dig out their cars. And guess what? The stores are not stocked with shovels either. I was so happy to see a few friends join me in not just complaining, but in their willingness to pick up a shovel.

Just moments before our scheduled rendezvous, someone posted a link to this article about the same motivation, validating our actions.

When we got to our selected meeting point, we discovered the city was going to remove the snow that night, and alerted everyone to move their cars. There was no email, no posting on a website, no press release, no warning. Just signs planted in the snow mounds. These signs were planted at some point during the day. When the students are in classes. By the time most of them returned to their homes, panic hit. They called their landlords wondering where they were going to be able to move their cars. Luckily, a few administrators at Lehigh worked out a temporary situation, but it definitely took a network of knowing who on campus can actually get things done - thanks, Dale Kochard!

We started at 3:30 to take the most advantage of late afternoon sun to melt the ice a bit. We started with the first person digging out, a nice young man named Alex. By 4:15 traffic started to increase, school busses were playing chicken with cars fighting for right of way. We were trying to put snow anywhere we could that would get cars out. Realizing we would just have to move snow twice, we just started throwing it anywhere.

Neighbors helped. Students called their friends to help. Landlords (Louis, you are awesome) came out to work with their tenants. Yes, there are actually landlords who step up in these situations. Not all are absentee. We took turns digging and pushing while dodging cars that didn't have patience for us. We were getting worried about what might happen after dark. I called Campus Police to help traffic flow. Dispatch told me to call the city. I called the city - no guarantees for help in a growing safety concern.

After 2 hours and 15 minutes, we got three cars out; Alex, Cheri and another Alex. I also met two fine neighbors Carlos and his wife, who offered us coffee. Other people were working on other cars and had equipment. We left feeling good about our efforts, but worried that the city would actually come through and clear the snow.

I'm happy to end this post on a positive note:

Monday, February 17, 2014

#LehighDigOut; just an idea

It's been a while since I posted on this particular blog. But since I had a thought that could impact some folks on campus, let's see what might happen if I use this one to share an idea.

There are a significant number of student cars buried under snow. Because:
1. In a short period of time, there has been a significant amount of snow accumulated in Bethlehem.
2. even in dry weather, campus and South Bethlehem is challenged with too many cars, and not enough parking spaces.
3. snow removal on city streets has been complicated by parked cars snowed in and plows unable to get around them, so each time a new snow fall happens the same cars get more snow piled on them.

For a number of students who live off campus, there's also a challenge of where to put the snow - even if they had proper equipment to sign themselves out. Sure, they could walk to the hardware store on 4th street (Cantelmi's) and buy a shovel - if there were some in stock.

But what if the community rallied and helped out the poor folks, students and "townies" alike, who have their cars hopelessly buried?

We have a wonderful tradition on campus called "MOOV-in" where faculty, staff and orientation student leaders help move in the first year students into the dorms. It's a great welcoming experience for the students, and the nice bonding ritual for the staff who regularly participate. Why not take this same positive energy and help out the many students and folks who live in South Bethlehem to get cars moved in order to rediscover our curbs and parking lots?

I was working on a student's car this afternoon. With just the two of us and one hour, we were able to clear her tail pipe so she could at least make sure the engine turned over. I hope to help her finish the job so she can move her car to clear the entire parking space. She literally had snow and ice mounded from the plows.

I felt bad that I had to leave, but I only had an hour to spare today.

The best time to dig out cars is in the early afternoon, after the sun has warmed up the snow a bit. At night, all that warning turns into another layer of ice. Unless you have an ice breaker, the standard shovels aren't going to cut through it.

I wonder - how many people can dedicate some exercise time to helping others dig out their cars? We've got a few programs (Like the "Be Well") for staff, and a few smart people to help organize. It's not a "super storm" where folks are without power. But this really is a challenge for many folks.

So let's start on Wednesday, February 19th from 2-5pm on Webster street. We'll start at the corner of Webster and 5th street, and just move snow away from cars so that they might have a chance to move them. Bring a shovel, wear layers and be ready to lift and walk the snow across the street to a safe place. One shovel at a time. That's how this will go. The more people, the better the effort. I just hope the folks who own the cars won't freak out. I'll be leaving notes on them tonight.

It would be awesome if this effort could be coordinated with the City Snow Removal schedule. I called the streets department - and they are working on a schedule, but as we wait for that to be worked out, we have a lot of cars to dig out.

Seriously asking. Who wants to pitch in and help? Two weeks until Spring Break.

Tuesday, September 17, 2013

What is Beauty - part 1. Barbie's multiple careers

This week and next, Lehigh University campus will have an incredible opportunity to have a wide conversation about the topic of Beauty, book ended by the lens of performing arts, and with a NYTime author. Tonight at 7pm, Jane Comfort and Company will present their work, "Beauty"

   

From the company's website:
Beauty is a provocative dance theater work exploring the American notion of female beauty. It frames the dialogue of the cultural pressures surrounding women’s physique, attire, and appearance around the quintessential image of American beauty: Barbie.
Movement vocabulary is derived from an investigation of Barbie’s limited, robotic abilities contrasted with a fully expressive dance vocabulary. Beauty includes a Barbie beauty contest and an intimate encounter between Barbie and Ken. During the course of the evening, we become acquainted with the performers as Barbie dolls, as contestants, as characters with beauty aspirations, and as the dancers behind all these personas.
Of course, this bit of information led me to some important research.

I came across a website for all of the career options that Mattel has given our fair haired creature.
Arctic Rescue Barbie
President Barbie (comes in different hair)
Swim Champion Barbie - who needs a puppy. Note the tiny pink trophy
Chef & Waitress Barbie (Apparently, she runs the entire restaurant at the same time)

Pancake Chef Barbie - specific culinary skills? or repurposed "domestic bliss" set?
This is but a sampling. Gymnast, Babysitter, Baby Doctor (with different hair styles; i.e., blonde or brunette), Nurse, Nursery School Teacher (with play set), Pet Vet (redundant?), Actress, Track Champion (these sports themed dolls must have been inspired by the Olympics), Tennis Player, Skier, Splash and Spin Dolphin Trainer (not kidding), Magician...

What was most interesting to me on see these cataloged on their merchant web site was the text below the images:
Barbie “I Can Be…” Boutique
Welcome to the Barbie I Can Be Family page! Our I Can Be Barbie line is designed to inspire your daughter to discover her dreams through a variety of empowering career-themed roles, from the nurturing Pet Vet Barbie doll to the geek-chic Computer Engineer Barbie doll.

Choose from a fabulous variety of Barbie I Can Be dolls that allow your daughter to play the part of a young girls role model! If your little girl wants to be a big screen star, she’ll love the Barbie I Can Be Movie Star doll. You’ll find exquisite examples of the many directions your girls career can take, from a talented chef to a stylish news anchor. Your daughter is sure to be inspired by the Barbie doctor, Barbie ballroom dancer, Barbie Ballerina, and other beautiful Barbie I Can Be professions.
Shop Barbie. And think pink!
 "GEEK-CHIC" gave me an idea. Don't worry Barbie, all of those careers you have tried that have left you feeling wanting for more aren't your only options. Here's the one that will fulfill all of your earthly desires and give your life direction. You're welcome.


Saturday, June 29, 2013

Inquiry Based Learning Experience

Do you know your best learning style? Do you immediately comprehend information from reading? Are you a verbal processor who has to practice restraint to let others have a chance in classroom discussion. Are you a deep-thinking introvert?

Have you been conditioned to think a certain way about how learning is measured? Are tests the only way to go because the law says so? Does project based learning really support building 21st-century skills? Do you learn better when you teach the material to someone else?

What is knowledge? What is your responsibility to knowledge (self and others?)

If this sounds like the worst writing assignment ever -- you probably haven't struggled with these questions yet, or are so overwhelmed by these questions because they face you at the end of every day. How could one possibly summarize their responses in one paper, or even one dissertation?

Since the dawn of recorded history, philosophers have wrestled with these questions. Generations of thinkers have wrestled with these questions. Students have wrestled with understanding the questions and the subsequent measure of demonstrating their comprehensive awareness of these questions.

It's exhausting, isn't it?

Why can't we just be? Well, for one thing, we have this millennial institution called, "higher learning." And we're in a state of crisis. At one point, higher education is seen as the solution that everyone needs in the creative economy. At another point, the digital age has brought an incredible access to information; almost like the breach at Helm's Deep (guess that literary reference). Behold, the MOOCs.

[Take a deep breath, hold it for 5 seconds, slowly let it out over 5 seconds. Relax your shoulders. Deepest apologies for the drama - but I'm asking for something that, for some, is a stretch...]

Each day you've been on this planet, you've learned about the world and your relationship with it. From the day you were born, you have learned through experiences. Your first lesson was compassion from your mother. You didn't read about it. You experienced it. Later in life, you learned what the word "compassion" meant in reflection of love and comfort. You may have learned deeper compassion by becoming a parent, or caring for another person. Or you may have learned about compassion by not having it when you needed it most.

What other values do we need to learn or to pass on to others? How do we express what we see, feel or understand about our world? This is not the kind of knowledge one typically demonstrates on a written exam. Last I read, there are no core curricular standards for "compassion." But this world surely needs it. So how can one acquire this knowledge, or other human values?

It is certainly the kind of knowledge one could develop in a life-long relationship with art.

Having a relationship with art does not require intensive conservatory study, hours in the dance studio, or years of solitude with paints or a keyboard. A relationship with art - especially since it's all around you - starts with giving the experience your attention.

Go ahead and say, "Hello, [insert art experience]." Ask it some questions.
"Where are you from?"
"What's a nice portrait like you doing in a place like this?"
"How in the heck did you think of that?"

Relationships are a two-way street, right?

It's time to think about approaching art with your own life-long experience. Don't check your baggage at the door. Let your relationships with other people and situations feed your knowledge. Even better, listen to what others see in the art experience. Their observations may highlight something you haven't thought of, or didn't see from your perspective.

This approach to learning was exactly what the first cohort of the Center for Developing Urban Educational Leaders (C-DUEL) did yesterday at the Metropolitan Museum of Art. It was one of two "Creativity & Imagination in Leadership" seminars held in conjunction with the C-DUEL's partnership with the Maxine Green Center for Aesthetic Education and Social Imagination. The second one will be July 11th :


...This is a rare opportunity for participants to expand their awareness of the importance of multiple perspectives, collaboration, risk taking, and reflective practices. We will enjoy a live jazz concert and interact with the performers as to their practice in terms of collaboration, improvisation, etc. We have a final debriefing session as to how these experiences might impact our own practice as leaders and educators. The results, of course, vary from participant to participant but are usually quite powerful and in many cases have a lasting impact. 

The students in the first C-DUEL cohort are amazingly compassionate educational leaders. Through this shared experience, they revealed insight into their sensitivity and awareness of human value in others. I see great things in people who express curiosity about the world, who are also interested in understanding things they don't initially understand - people who approach learning by asking questions. Being open to this way of thinking can only inform their leadership.

You're a leader. Whether you are a long practicing educator, or a student, you are a leader of your own path of knowledge. The question is... do you want to know more?






Tuesday, June 11, 2013

Cinderella - a Slutastic Conversation; part 1

A small group of campus professionals just met to discuss the first 6 chapters of the Peggy Orenstein book, Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture. The group of all women came from a variety of backgrounds; some mothers, some not but thinking some day maybe, others older than the first generation of Disney marketing targets, a mix of ethnic backgrounds (mostly white - seriously, it's Lehigh) all of them highly educated and passionate about feminism.

But before I get into a recap of the discussion, I want to share a few resources with the readers of this post who may also be reading Orenstein's book in preparation for her visit to campus on September 26th. 

Other book reviews:

Other articles by Orenstein: 
"What's Wrong with Cinderella?" NY Times Magazine, December 24, 2006 - [This may have started the book.] 
"Should the World of Toys be Gender Free?" NY Times Magazine, December 29, 2011.
Or links to her blog which posts her written work, much like a composer's opus is divided into work periods. Here are the titles listed written in 2011 to the present - but not linked for you. I'm going to actually MAKE you click to her blog and surf. Why? This writer is not a one topic trick pony. She also has some very important things to say about breast cancer research and a whole new appropriation of the color pink. More on that after our group discussion finishes next week.

In the last month or so Peggy Orenstein has super charged the conversation about Breast Cancer Research. Those who may be interested in reading the significant NY Times piece April 25, 2013 "Our Feel Good War on Breast Cancer" can read it through this link. With all of the philanthropic work many of our campus sororities do toward raising money for breast cancer research, and the fact that a significant number of our staff have been touched by the disease in multiple ways - the conversation on pink becomes relevant in a whole new perspective. I urge anyone who has interest in Feminism, or public heath to read all of Orenstein's work. If you're on twitter, you don't need to wait for her arrival on campus to engage in conversation. She's pretty accessible already --> @peggyorenstein

Back to a recap of today.

Since we were only discussing the first 6 chapters, we focused on the topics: Disney marketing, princess culture, pink, girlie-behavior, dressing, and "what is normal?" The discussion was led by Brooke DiSipio, Assistant Director of the Lehigh Unviersity Women's Center. We focussed some conversation about what we thought the topics of this book might be reflected on Lehigh's campus. It was a wonderful opportunity for us to consider not only our own "girl" experiences, and (for some of us) our parenting questions about raising girls, but in how the Princess Culture might have impact on current students.

DiSipio shared with us that she's noticing a lot of communication issues with students now. In general, we are seeing more students communicating via text message (and long ones at that) rather than having face to face conversations. DiSipio's area of expertise is in sexuality. She guides female and male students through a tricky time in every person's life. If you are of any generation, think back to your own personal age of sexual awareness; which develops in stages. In a mostly repressed sexual society, how does a person come to terms with being sexual, being in a healthy sexual relationship, and (for lack of better way to say it) being appropriate?

How do we become and behave in our sexuality. In today's young "hook up" culture, how do couples develop relationships beyond sex? It was wonderful to consider how might the issues brought up in Oresntein's book be reflected in what our current students are dealing with? How does the objectification of women (a multi-centuries old issue) impact the independent growth and identity development of our students? How does contemporary culture impact the next generation of leaders? These are issues the staff of the Women's Center face every day. 

Not to put too hard a right turn on the subject - but this conversation made me extremely proud of working in a residential higher educational institution. It's staff and programs like the Women's Center that offer Lehigh students a chance to learn and grown beyond the classroom. The discussions, speakers, and conversations in a room filled with comfortable furniture led by highly skilled counselors and thoughtful academics, add value beyond measure to learning on this campus.

**** personal reflection******

Reading Orenstein's book and articles has me questioning so many things about my own childhood, and how I'm trying to be aware of the "different but informed" environment my husband and I are trying to raised our own children in. We are the parents of 10 year old boy/girl twins. I was thrown head first into gender issues the day they were born. Now, as a Girl Scout Leader, I'm seeing lots of programming coming through that organization to support young women's confidence beyond the Disney Culture these kids grew up with. Most of the girls in our troop have one or more Disney princess gowns in their closet. There's been a Halloween where they've fought over who gets to be Ariel, Aurora, Jasmine or Belle. They also played with Bratz dolls. Their idols are Lady Gaga, Katy Perry, and (God help me) Kei$ha. They sing their lyrics not really knowing what they're singing about. They all want to have a birthday party at Sweet and Sassy and ride in this:

When my daughter came home looking like a cast member of MTV's "Jersey Shore," my husband had to hold me back from hosing down the layers of makeup and hairspray. Seriously.

... I can't wait to hear the conversations with my kids ten years from now. I wonder what experiences they are having now that will inform their cultural observations and reflections of what they thought was important in hind sight. I'm sure they will remember my over-reactions to purchase requests.

One last random thought. Anyone remember this toy form the 1970s? (Growing Up Skipper Doll, released in 1975) This may offer some insight into my own identity developmental confusion...



Wednesday, May 22, 2013

Another degree... really?

When I was an administrator of an arts integration program in Ohio, the president of the organization that oversaw the program said, "You speak too much educational-ese." I thought it odd that a university professor of theatre would say that. Shouldn't a fellow academic understand institutional structure, educational guidelines and best practices for curriculum development? Of course he did- but they were referred differently in his vernacular.

  • "Institutional structure" meant: an "us-vs-them" battle ground between artists who need money to spend on productions, and administrators who can never raise enough money for their needs, and other artists who compete for limited resources. 
  • "Educational guideline" meant tenure and promotion, or departmental accreditation.
  • "Best practices" are artistic reputation specific to genre, or validated through ticket sales. 

When I was in this position, I frequently referred to the 1983 report, A Nation at Risk.  I even read it a few times. (Actually, it's an annual event) The report fuels my passion to make learning meaningful for all ages; not just K-12.

Consider this: "Why can't the audience come to understand artistic intentions by making connections to their own experiences?" Or even more shocking, "If audience members were encouraged to make their own art, might they find professional artist work that much more awesome?"

The response from some artists is an astounding resistance. I'm sure there are many reasons for this. But I've felt a sense of urgency for the past 20 years of my career to make more substantial changes in the places I am now. Why? In all of my training - over 11 years of high quality training - I never received any structure for thinking about how I could work with school teachers, how I would relate to different audiences, or how I could reach outside my disciplinary boundaries. When I did these things, I was a maverick, a trouble maker, or even a blasphemer. *

I'm pretty good at understanding structure, authority, systems and procedures. I'm a musician, after all. Years of practice trained not only my chops and fingers to master control of the bassoon, but how to listen to others around me, know the big picture (musical score), follow the vision of the conductor, etc. Most importantly, I learned to be prepared, be humble, and be like-able enough so that I would either win the audition, or get a call-back. All of this awareness transfers into what I do now.

I also learned how to develop musical relationships with the other musicians. Much of the relationship was based on understanding where we all needed to go together. It wasn't just about what ink was on the page of the second bassoon part. Being in tune, on time, and blending with the other timbres meant developing a hyper awareness of how I fit in the ensemble.

I've reach a point in my work where I'm hyper aware of a need to be much more strategic with understanding school systems, educational guidelines and best practices for arts integration between schools and arts organizations. I also don't see schools as bounded by a K-12 limited time frame. I see birth- through life opportunities; pre-school, higher education, elderhostle. See, I have this vision of what is possible, and I have about 20 years of practical experience supporting the vision. But in order to make some leaps forward, have anything I publish be legitimized by others in the field, I'm going to boot camp.

I seek coaches who are going to help shape my vision into something acceptable to a field of other practitioners. They will provide readings in new disciplines, identify new areas of research and best practices, offer their experiences for inquiry and reflection and more importantly - KICK MY BUTT into publishing. I officially started a new Masters Degree in Educational Leadership this week.

It's not the degree, or the letters. It's academic legitimacy. As much as I think I know what I'm going; in academia, it's all about semantics.

*I should re-read my doctoral research paper on "The Orchestra is nothing but a Tribute Band if they don't Commission New Work."

Thursday, November 1, 2012

Second Half of National Arts & Humanities Month 2012

October 16: Friggin long day. Started at 8am with a freshman seminar, and was packed with kids' lessons, CCA Board meeting, then ended the day at the restaurant with a development officer from my undergrad. Each moment, I'm reminded of how embedded the arts are in my life. I am grateful.

October 17: heard a lecture by Dr. Lourdes Alvarez on "The Ends of Tolerance: Medieval Spain & the Def of Pluralism" - this was the first of four lectures to support the Lehigh Choral arts concerts, "The Jewel at the Center of the World." Fascinating information about 15th century Andalusian culture. Stunning relevance to my wishes for a more current society that holds pluralism as a principle worth cherishing. Reminded how delighted I am when a learned scholar revelas a mystery hidden in ancient books; makes the mysterious peoples of the past more humane, and more heroic.

October 18th: Lehigh's Women's Center launched a fabulous campaign of positive messages on post it notes in ALL the women's bathrooms on campus. Brilliant.

October 19th: Lehigh's Founder's Day. Posted the student leader speech on the ArtsLehigh bog. That's what it's for, isn't it?

October 20th: Spent afternoon manning a booth at the West Fest; talking about Zoellner programs with my friend, Linda Ganus. rushed home to clean up, put on my party hat and get all "glammy" for the Zoellner Gala. Did I mention, the artist was spectacular?

October 21st: What could be more culturally significant than picking up pumpkins for creative carving on Halloween? We named ours: Harold, Ed, Tina and Wendy.

October 22nd: discovered reddit. Then lost the rest of my day. Wonder how that happened?

October 23rd: Baker's Creativity Institute - got the kids there for the last 30 minutes. We made buttons and a model of the Wilbur Power house.

October 24th: Cleaned pumpkins for carving. Arabic poetry lecture just before orchestra rehearsal.

October 25th: Incredible panel discussion about John Cage inspired exhibits and Black Mountain College, and South Mountain College. Carved pumpkins. Later, I heard the final dress rehearsal for the Choral Arts concert. Always, an extravaganza.

October 26th: Trick or Treat night. Yes, I can apply Darth Maul make up and false eye lashes (different kids, honest) in less than 30 minutes.

October 27th: 

Holy Cow, I got to meet Terry Gross! later, made it back to campus to lead the Zeek club discussion before the Choral Arts concert.

October 28th: The Lehigh Valley got it's most creative in preparing for the the Frankenstorm to hit. At home, I went on a mad cleaning spree. Organized a few creative projects I'd been wanting to get to for a while now. Hoping the power was going to stay on for my home. I's argue there is an art to organizing and preparing. I really had to work at NOT freaking out. The wind was wicked strong this night.

October 29th: Remember those classic movies I wanted to show the kids? We had plenty of time and didn't lose power the day after Hurricane Sandy. Schools were closed, as was campus. We got very creative at home watching classic films, thanks to Netflix. "Arsenic and Old Lace" with Cary Grant is almost an annual tradition now.

October 30th: I watched way too much TV. Sad to end this month so poorly. I resolved to embrace my inner Druid, make the most of Samhuin, and start fresh on November 1st as the New Year resolution begins.

October 31 - I got these posts done! (at least in draft form. Will do a review tomorrow; adding more links and more pictures if I can then.

Whew! Goal met. What did I learn by doing these two blog posts? The Arts and Humanities is my work, true. But they infuse my life with happiness, creativity and joy. Learning about history, celebrating traditions, and sharing new discoveries with my kids; it all goes back to art and the humanities. Life without either would be really, really pathetic.