Saturday, June 29, 2013

Inquiry Based Learning Experience

Do you know your best learning style? Do you immediately comprehend information from reading? Are you a verbal processor who has to practice restraint to let others have a chance in classroom discussion. Are you a deep-thinking introvert?

Have you been conditioned to think a certain way about how learning is measured? Are tests the only way to go because the law says so? Does project based learning really support building 21st-century skills? Do you learn better when you teach the material to someone else?

What is knowledge? What is your responsibility to knowledge (self and others?)

If this sounds like the worst writing assignment ever -- you probably haven't struggled with these questions yet, or are so overwhelmed by these questions because they face you at the end of every day. How could one possibly summarize their responses in one paper, or even one dissertation?

Since the dawn of recorded history, philosophers have wrestled with these questions. Generations of thinkers have wrestled with these questions. Students have wrestled with understanding the questions and the subsequent measure of demonstrating their comprehensive awareness of these questions.

It's exhausting, isn't it?

Why can't we just be? Well, for one thing, we have this millennial institution called, "higher learning." And we're in a state of crisis. At one point, higher education is seen as the solution that everyone needs in the creative economy. At another point, the digital age has brought an incredible access to information; almost like the breach at Helm's Deep (guess that literary reference). Behold, the MOOCs.

[Take a deep breath, hold it for 5 seconds, slowly let it out over 5 seconds. Relax your shoulders. Deepest apologies for the drama - but I'm asking for something that, for some, is a stretch...]

Each day you've been on this planet, you've learned about the world and your relationship with it. From the day you were born, you have learned through experiences. Your first lesson was compassion from your mother. You didn't read about it. You experienced it. Later in life, you learned what the word "compassion" meant in reflection of love and comfort. You may have learned deeper compassion by becoming a parent, or caring for another person. Or you may have learned about compassion by not having it when you needed it most.

What other values do we need to learn or to pass on to others? How do we express what we see, feel or understand about our world? This is not the kind of knowledge one typically demonstrates on a written exam. Last I read, there are no core curricular standards for "compassion." But this world surely needs it. So how can one acquire this knowledge, or other human values?

It is certainly the kind of knowledge one could develop in a life-long relationship with art.

Having a relationship with art does not require intensive conservatory study, hours in the dance studio, or years of solitude with paints or a keyboard. A relationship with art - especially since it's all around you - starts with giving the experience your attention.

Go ahead and say, "Hello, [insert art experience]." Ask it some questions.
"Where are you from?"
"What's a nice portrait like you doing in a place like this?"
"How in the heck did you think of that?"

Relationships are a two-way street, right?

It's time to think about approaching art with your own life-long experience. Don't check your baggage at the door. Let your relationships with other people and situations feed your knowledge. Even better, listen to what others see in the art experience. Their observations may highlight something you haven't thought of, or didn't see from your perspective.

This approach to learning was exactly what the first cohort of the Center for Developing Urban Educational Leaders (C-DUEL) did yesterday at the Metropolitan Museum of Art. It was one of two "Creativity & Imagination in Leadership" seminars held in conjunction with the C-DUEL's partnership with the Maxine Green Center for Aesthetic Education and Social Imagination. The second one will be July 11th :


...This is a rare opportunity for participants to expand their awareness of the importance of multiple perspectives, collaboration, risk taking, and reflective practices. We will enjoy a live jazz concert and interact with the performers as to their practice in terms of collaboration, improvisation, etc. We have a final debriefing session as to how these experiences might impact our own practice as leaders and educators. The results, of course, vary from participant to participant but are usually quite powerful and in many cases have a lasting impact. 

The students in the first C-DUEL cohort are amazingly compassionate educational leaders. Through this shared experience, they revealed insight into their sensitivity and awareness of human value in others. I see great things in people who express curiosity about the world, who are also interested in understanding things they don't initially understand - people who approach learning by asking questions. Being open to this way of thinking can only inform their leadership.

You're a leader. Whether you are a long practicing educator, or a student, you are a leader of your own path of knowledge. The question is... do you want to know more?






Tuesday, June 11, 2013

Cinderella - a Slutastic Conversation; part 1

A small group of campus professionals just met to discuss the first 6 chapters of the Peggy Orenstein book, Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture. The group of all women came from a variety of backgrounds; some mothers, some not but thinking some day maybe, others older than the first generation of Disney marketing targets, a mix of ethnic backgrounds (mostly white - seriously, it's Lehigh) all of them highly educated and passionate about feminism.

But before I get into a recap of the discussion, I want to share a few resources with the readers of this post who may also be reading Orenstein's book in preparation for her visit to campus on September 26th. 

Other book reviews:

Other articles by Orenstein: 
"What's Wrong with Cinderella?" NY Times Magazine, December 24, 2006 - [This may have started the book.] 
"Should the World of Toys be Gender Free?" NY Times Magazine, December 29, 2011.
Or links to her blog which posts her written work, much like a composer's opus is divided into work periods. Here are the titles listed written in 2011 to the present - but not linked for you. I'm going to actually MAKE you click to her blog and surf. Why? This writer is not a one topic trick pony. She also has some very important things to say about breast cancer research and a whole new appropriation of the color pink. More on that after our group discussion finishes next week.

In the last month or so Peggy Orenstein has super charged the conversation about Breast Cancer Research. Those who may be interested in reading the significant NY Times piece April 25, 2013 "Our Feel Good War on Breast Cancer" can read it through this link. With all of the philanthropic work many of our campus sororities do toward raising money for breast cancer research, and the fact that a significant number of our staff have been touched by the disease in multiple ways - the conversation on pink becomes relevant in a whole new perspective. I urge anyone who has interest in Feminism, or public heath to read all of Orenstein's work. If you're on twitter, you don't need to wait for her arrival on campus to engage in conversation. She's pretty accessible already --> @peggyorenstein

Back to a recap of today.

Since we were only discussing the first 6 chapters, we focused on the topics: Disney marketing, princess culture, pink, girlie-behavior, dressing, and "what is normal?" The discussion was led by Brooke DiSipio, Assistant Director of the Lehigh Unviersity Women's Center. We focussed some conversation about what we thought the topics of this book might be reflected on Lehigh's campus. It was a wonderful opportunity for us to consider not only our own "girl" experiences, and (for some of us) our parenting questions about raising girls, but in how the Princess Culture might have impact on current students.

DiSipio shared with us that she's noticing a lot of communication issues with students now. In general, we are seeing more students communicating via text message (and long ones at that) rather than having face to face conversations. DiSipio's area of expertise is in sexuality. She guides female and male students through a tricky time in every person's life. If you are of any generation, think back to your own personal age of sexual awareness; which develops in stages. In a mostly repressed sexual society, how does a person come to terms with being sexual, being in a healthy sexual relationship, and (for lack of better way to say it) being appropriate?

How do we become and behave in our sexuality. In today's young "hook up" culture, how do couples develop relationships beyond sex? It was wonderful to consider how might the issues brought up in Oresntein's book be reflected in what our current students are dealing with? How does the objectification of women (a multi-centuries old issue) impact the independent growth and identity development of our students? How does contemporary culture impact the next generation of leaders? These are issues the staff of the Women's Center face every day. 

Not to put too hard a right turn on the subject - but this conversation made me extremely proud of working in a residential higher educational institution. It's staff and programs like the Women's Center that offer Lehigh students a chance to learn and grown beyond the classroom. The discussions, speakers, and conversations in a room filled with comfortable furniture led by highly skilled counselors and thoughtful academics, add value beyond measure to learning on this campus.

**** personal reflection******

Reading Orenstein's book and articles has me questioning so many things about my own childhood, and how I'm trying to be aware of the "different but informed" environment my husband and I are trying to raised our own children in. We are the parents of 10 year old boy/girl twins. I was thrown head first into gender issues the day they were born. Now, as a Girl Scout Leader, I'm seeing lots of programming coming through that organization to support young women's confidence beyond the Disney Culture these kids grew up with. Most of the girls in our troop have one or more Disney princess gowns in their closet. There's been a Halloween where they've fought over who gets to be Ariel, Aurora, Jasmine or Belle. They also played with Bratz dolls. Their idols are Lady Gaga, Katy Perry, and (God help me) Kei$ha. They sing their lyrics not really knowing what they're singing about. They all want to have a birthday party at Sweet and Sassy and ride in this:

When my daughter came home looking like a cast member of MTV's "Jersey Shore," my husband had to hold me back from hosing down the layers of makeup and hairspray. Seriously.

... I can't wait to hear the conversations with my kids ten years from now. I wonder what experiences they are having now that will inform their cultural observations and reflections of what they thought was important in hind sight. I'm sure they will remember my over-reactions to purchase requests.

One last random thought. Anyone remember this toy form the 1970s? (Growing Up Skipper Doll, released in 1975) This may offer some insight into my own identity developmental confusion...



Wednesday, May 22, 2013

Another degree... really?

When I was an administrator of an arts integration program in Ohio, the president of the organization that oversaw the program said, "You speak too much educational-ese." I thought it odd that a university professor of theatre would say that. Shouldn't a fellow academic understand institutional structure, educational guidelines and best practices for curriculum development? Of course he did- but they were referred differently in his vernacular.

  • "Institutional structure" meant: an "us-vs-them" battle ground between artists who need money to spend on productions, and administrators who can never raise enough money for their needs, and other artists who compete for limited resources. 
  • "Educational guideline" meant tenure and promotion, or departmental accreditation.
  • "Best practices" are artistic reputation specific to genre, or validated through ticket sales. 

When I was in this position, I frequently referred to the 1983 report, A Nation at Risk.  I even read it a few times. (Actually, it's an annual event) The report fuels my passion to make learning meaningful for all ages; not just K-12.

Consider this: "Why can't the audience come to understand artistic intentions by making connections to their own experiences?" Or even more shocking, "If audience members were encouraged to make their own art, might they find professional artist work that much more awesome?"

The response from some artists is an astounding resistance. I'm sure there are many reasons for this. But I've felt a sense of urgency for the past 20 years of my career to make more substantial changes in the places I am now. Why? In all of my training - over 11 years of high quality training - I never received any structure for thinking about how I could work with school teachers, how I would relate to different audiences, or how I could reach outside my disciplinary boundaries. When I did these things, I was a maverick, a trouble maker, or even a blasphemer. *

I'm pretty good at understanding structure, authority, systems and procedures. I'm a musician, after all. Years of practice trained not only my chops and fingers to master control of the bassoon, but how to listen to others around me, know the big picture (musical score), follow the vision of the conductor, etc. Most importantly, I learned to be prepared, be humble, and be like-able enough so that I would either win the audition, or get a call-back. All of this awareness transfers into what I do now.

I also learned how to develop musical relationships with the other musicians. Much of the relationship was based on understanding where we all needed to go together. It wasn't just about what ink was on the page of the second bassoon part. Being in tune, on time, and blending with the other timbres meant developing a hyper awareness of how I fit in the ensemble.

I've reach a point in my work where I'm hyper aware of a need to be much more strategic with understanding school systems, educational guidelines and best practices for arts integration between schools and arts organizations. I also don't see schools as bounded by a K-12 limited time frame. I see birth- through life opportunities; pre-school, higher education, elderhostle. See, I have this vision of what is possible, and I have about 20 years of practical experience supporting the vision. But in order to make some leaps forward, have anything I publish be legitimized by others in the field, I'm going to boot camp.

I seek coaches who are going to help shape my vision into something acceptable to a field of other practitioners. They will provide readings in new disciplines, identify new areas of research and best practices, offer their experiences for inquiry and reflection and more importantly - KICK MY BUTT into publishing. I officially started a new Masters Degree in Educational Leadership this week.

It's not the degree, or the letters. It's academic legitimacy. As much as I think I know what I'm going; in academia, it's all about semantics.

*I should re-read my doctoral research paper on "The Orchestra is nothing but a Tribute Band if they don't Commission New Work."

Thursday, November 1, 2012

Second Half of National Arts & Humanities Month 2012

October 16: Friggin long day. Started at 8am with a freshman seminar, and was packed with kids' lessons, CCA Board meeting, then ended the day at the restaurant with a development officer from my undergrad. Each moment, I'm reminded of how embedded the arts are in my life. I am grateful.

October 17: heard a lecture by Dr. Lourdes Alvarez on "The Ends of Tolerance: Medieval Spain & the Def of Pluralism" - this was the first of four lectures to support the Lehigh Choral arts concerts, "The Jewel at the Center of the World." Fascinating information about 15th century Andalusian culture. Stunning relevance to my wishes for a more current society that holds pluralism as a principle worth cherishing. Reminded how delighted I am when a learned scholar revelas a mystery hidden in ancient books; makes the mysterious peoples of the past more humane, and more heroic.

October 18th: Lehigh's Women's Center launched a fabulous campaign of positive messages on post it notes in ALL the women's bathrooms on campus. Brilliant.

October 19th: Lehigh's Founder's Day. Posted the student leader speech on the ArtsLehigh bog. That's what it's for, isn't it?

October 20th: Spent afternoon manning a booth at the West Fest; talking about Zoellner programs with my friend, Linda Ganus. rushed home to clean up, put on my party hat and get all "glammy" for the Zoellner Gala. Did I mention, the artist was spectacular?

October 21st: What could be more culturally significant than picking up pumpkins for creative carving on Halloween? We named ours: Harold, Ed, Tina and Wendy.

October 22nd: discovered reddit. Then lost the rest of my day. Wonder how that happened?

October 23rd: Baker's Creativity Institute - got the kids there for the last 30 minutes. We made buttons and a model of the Wilbur Power house.

October 24th: Cleaned pumpkins for carving. Arabic poetry lecture just before orchestra rehearsal.

October 25th: Incredible panel discussion about John Cage inspired exhibits and Black Mountain College, and South Mountain College. Carved pumpkins. Later, I heard the final dress rehearsal for the Choral Arts concert. Always, an extravaganza.

October 26th: Trick or Treat night. Yes, I can apply Darth Maul make up and false eye lashes (different kids, honest) in less than 30 minutes.

October 27th: 

Holy Cow, I got to meet Terry Gross! later, made it back to campus to lead the Zeek club discussion before the Choral Arts concert.

October 28th: The Lehigh Valley got it's most creative in preparing for the the Frankenstorm to hit. At home, I went on a mad cleaning spree. Organized a few creative projects I'd been wanting to get to for a while now. Hoping the power was going to stay on for my home. I's argue there is an art to organizing and preparing. I really had to work at NOT freaking out. The wind was wicked strong this night.

October 29th: Remember those classic movies I wanted to show the kids? We had plenty of time and didn't lose power the day after Hurricane Sandy. Schools were closed, as was campus. We got very creative at home watching classic films, thanks to Netflix. "Arsenic and Old Lace" with Cary Grant is almost an annual tradition now.

October 30th: I watched way too much TV. Sad to end this month so poorly. I resolved to embrace my inner Druid, make the most of Samhuin, and start fresh on November 1st as the New Year resolution begins.

October 31 - I got these posts done! (at least in draft form. Will do a review tomorrow; adding more links and more pictures if I can then.

Whew! Goal met. What did I learn by doing these two blog posts? The Arts and Humanities is my work, true. But they infuse my life with happiness, creativity and joy. Learning about history, celebrating traditions, and sharing new discoveries with my kids; it all goes back to art and the humanities. Life without either would be really, really pathetic.

First Half of National Arts & Humanities Month 2012

I had great intentions for the 2012 National Arts & Humanities month. Starting with the unveiling of a great big banner that was designed by a local artist, Holly Fields-Scott as the last part of her residency, the last artist in residence for ArtsLehigh.

The artist came through brilliantly. The challenge came with a few logistical hiccups in the rendering to a large print out. While we were that much closer to seeing the vision of a large banner on Maginnes for October, we still missed it. At least I'm closer for next year. What's the reference here? Last year, I had the idea but couldn't even get it to the concept stage artistically.Maybe I'll write a separate post about the October Banner, in case I need to leave a trail of breadcrumbs on the project....

When I accepted the reality of the Banner not coming to fruition, I started a daily twitter post on my personal account: what I did today to celebrate National Arts and Humanities Month. I was pretty good at first:








Special formatting note for this blog post idea - when you need to scroll through your own twitter feed to find a month of daily tweet, and you're pretty active on twitter - it's a pain in the butt! After I copied the embed code for each tweet, the .com version bounced me back to current time line.





I didn't post it on the 3rd - but I did live tweet with Euan Semple for the #EN195 course. Later that afternoon, I live-tweeted a lecture about two historic church buildings, and early Lehigh campus history (#AsaTwins). Later that evening, I went to orchestra rehearsal, and DIDN'T follow twitter for the Presidential Debate. Instead, I tweeted the next day:





Then there was the biggie:



After the award ceremony, I went back to campus to see "Oleanna" - it was the only night I could make it. Lucky me, there was a talk back after this performance led by the director of the Women's Center.

On the 5th day, my son and I spent the early part of the evening while my daughter was in her ballet class, strolling through South Bethlehem's first Friday. We made stops at the artists' studios in the Banana Factory and looked at Richard Redd's exhibit in Home & Planet. Nothing made me prouder that having my son recognize artists without reading the labels; "Oh, that's Ms Angie's painting. that looks like other stuf she's done." Granted, Ms Angie (Angie Snyder Lynde) was their art teacher when the Holy Infancy class went to the Banana Factory for their weekly trip. But the fact that he recognizes and artist's signature style? Wow! I'm a good mommy.

On the 6th Day, I finally produced a new post on my personal blog. While I've been way more productive there, than here - I want to write more. I needed to write on Saturday morning; I physically needed to write. Remembering how urgently I needed to create something feels good even at the end of the month.

On the 7th Day, I spent the afternoon with my family at the Philadelphia Please Touch Museum for a Suzuki Play in. I don't know why, but "Twinkles" never get old for me.

On the 8th Day, I celebrated out family's Italian heritage by making Nonna's minestrone and biscotti. That evening, I had a CCA Education Committee meeting. Yes, recapping a festival is part of the National Arts & Humanities, dammit. These meetings are fun.

On the 9th Day, I supported my local public radio station by attending the quarterly Community Advisory Board meeting .

On the 10th day, I proved the world (and myself) that I can keep an industry secret. Spent the afternoon being the social media "Johnny on the spot" person for announcing the Gala Artist change. Whew! Glad we got that off the ground. (BTW, the Gala artist was Kristin Chenoweth, and she was spectacular!) That night, I conducted the orchestra wind sectionals. Yes, I CAN play bassoon and simultaneously conduct Tchaik 6th. I got most of the notes!

On the 11th day, I mostly controlled myself on Twitter during the VP debates. Being civically engaged is VERY humanistic.

On the 12th day, I took the kids to dance to Delhi 2 Dublin at Zoellner. We had a blast. Some of the pictures they took on my phone made it on the Zoellner FB page. How'd that happen? Kids even got to meet the band. Favorite quote from my daughter, "Mom you have a pretty boring job most of the time. But every once in a while, there's some really cool side effects."

Day 13: After a long night dancing hard, the kids had Nutcracker rehearsals. While they took turns in different scenes, we took in the Downtown Harvest Fest. Nothing says "Arts & Humanities" like a soup and wine tasting. Heard some excellent live music, too. that night, I brought the kids to the Lehigh Jazz concert. Theme was "Hollywood Jazz." I have some old movies we need to cue up for the kids soon.

Day 14: Back to Zoellner for a piano trio recital. Also did some cooking experiments; my favorite kind of creative activity.

Day 15: went to the Nurture Nature Center in Easton, PA. Very cool place. Love the story of the Founder, Theodore Kheel.

Second half of National Arts & Humanities Month on next post.





Friday, March 16, 2012

Whitney Chen visits Lehigh

What does it take to get a FoodTV network start to visit a pilot class called, "Art Entrepreneurship Community?"
Awareness, actions, and a lot of connections. Not to be self- serving on this post, but I feel it's important to note some key awarenesses when tracing the path to success.

It all started when I was watching my favorite network, FoodTV. My love of this network started nine years ago when the only thing I could do on maternity bed rest was couch bound. In the days before social media, FoodTV kept my spirits up - keeping me in touch with one of my favorite things to think about, even when I can't cook or eat. Fast forward eight years plus a summer. Grateful now that my kids now love to watch the cooking shows with me.

We were watching the latest "Next FoodTV Star" reality competition. This particular episode featured a backstory on one of the contestants, Whitney Chen. She was talking about how she used to make gazpacho for her DG sorority sisters at Lehigh University. As soon as I heard that, I jumped to the internets for some investigation. Turns out, Whitney graduated just before I came to campus, but had a great story about plucking up the courage to leave a lucrative engineering consultancy to pursue her passion - food.

Through the capacity of Twitter and Facebook, I found my enthusiasm was shared by many of my friends and campus colleagues. Knowing that my enthusiasm needs to be checked - I made sure folks in other offices on campus (especially alumni relations) were OK with my enthusiastic support for her before I wrote this blog post. I also started following her on Twitter (@Whittybites) and after I posted a link off the ArtsLehigh facebook page, she friended me.

A good friend in the engineering department (Thanks Amanda Fabrizio) kept me in the loop of the plans to invite Whitney back to campus - and even asked me for ideas of connecting her to courses. As luck would have it, her schedule allowed her to come to my ENTR 198 - "Art Entrepreneurship Community" course to meet with the students. Knowing that she was very involved in the Lehigh University Art Galleries as a students, I was thrilled to be able to have the class meet in the main galleries at Zoellner Arts Center.

Students were a little timid, but Whitney warmed them up with her charm. After she left for her next appointment at her former sorority house, students shared their thoughts about the characteristics any entrepreneur needs to success. Whitney's story pointed out courage, tenacity, and blod steps AFTER considerable thought and making sure you keep all your windows open as you walk through the next door.

As a professor, I couldn't have been more pleased with the opportunity the students had to meet "the real deal." That moment wouldn't have happened without the tools of social media and strong relationships among the various staff and inter-connections on campus. I owe a great deal of thanks to Amanda for coordinating Whitney's entire visit with finesse.

Thursday, November 17, 2011

Arts Entrepreneurship Community - A New Course

The Baker Institute for Entrepreneurship, Creativity and Innovation is offering me an opportunity to teach a pilot course in the upcoming semester. I couldn't be more thrilled.
ENT 198: Art Entrpreneurship Community (3 credits) T/R 2:30-4pm
It is up to the student to insert the punctuation or the prepositions, depending on their personal learning goals. For example:
"Art, Entrepreneurship AND Community" might focus on separate relationships between institutions.
"Art, Entrepreneurship IN Community" might focus on partnerships between institutions
"Art AND Entrepreneurship FOR Community" might focus on the entrepreneurial ingredients to an artful enterprise for community asset or service.
...and on, and on.
Here's the office Course Description:
The course will focus on art as an economic driver in community building. Topics include: understanding community arts districts, entrepreneurial contributions to venues and networks, new arts venture creation, management approaches inherent in the entrepreneurial mindset. Activities may include: positioning of arts events, determining target audiences, marketing, arts based business models and resource needs, development of preliminary action plan to execute an arts related event.
Note: “arts” activities here are broadly conceived, including visual, performing, technical and literary arts.
Reading from Richard Florida’s theory of the “Creative Class”, and from a course pack of blogs, articles (local and national) about the conditions that connect issues with urban communities through a vibrant arts culture. Finally, we’ll have some speakers throughout the semester come in and talk about their entrepreneurial ventures in the Lehigh Valley; long term, and newly emerging.
Ever since I got the Green light to teach the course, I've been pouring over accumulated texts, articles and mountains of bookmarked websites and blogs, that support the topics. Just today, I came up with a clever idea to curate two calendars:
1. Calendar of Obligation - course readings, assignment deadlines, required attendance
2. Calendar of Opportunity - places and events that may offer insight into topics, or inspire/inform student final projects.
Piecing this course together will hopefully present many opportunities for robust discussion on creativity in our present culture; but more importantly, serve the students' desire to make a difference. Sometimes, ideas just need the right tool, and knowing the right way to use it.